Virtual Control: Security and the Urban Imagination

‘Virtual Control: Security and the Urban Imagination’ by Max Colson, uses photography, digital manipulation, animation and text to explore how urban space is becoming increasingly segregated and controlled.

Undocumented - Mary Beth Meehan, THE FENCE

Mary Beth Meehan,photographer and educator,says her goal is to use her work to “create connections among people, and to inspire an empathy that transcends economics, politics, and race.”

Always Wear Comfortable Boots - Rebecca Conway, Visura

"I try to shoot stories I find inspiring or stir emotion, situations that spark a deeper question."

Requiem of Water - Meaghan Ogilvie

Recognised for her ethereal underwater images in the 2013 Sony World Photography Awards Professional Fashion category, Meaghan Ogilvie is a photographer from Toronto whose concepts focus on our relationship to nature.

The Last Farmer - Michelle Siu, THE FENCE

Michelle Siuis a documentary photographer and freelance photojournalist based in Toronto, Canada. Her series ‘The Last Farmer’ was shown as part of THE FENCE 2015.

The Blink Interview - Discover Sweet

What do you get when Hearst Corporation, one of America’s largest diversified media companies collaborates with Snapchat, a heavyweight social media app for ephemeral photos?:Sweet.

The Humble Family - theprintspace speaks to Pat Pope

This week theprintspace’s speaks to portrait photographer Pat Pope about his different take on family portraiture with the project ‘Alt. Portraits’.

2017 Sony World Photography Awards now open for entries

The 2017 Sony World Photography Awards, the 10th anniversary of the world's largest photography competition, is now open for entries.

Why is aerial photography often so beautiful and serene?

When done well, aerial photography seems to have the remarkable ability of turning our perception of everyday life into something richly aesthetic.

In Conversation with Lars Boering

We spoke to Managing Director of World Press Photo, Lars Boering, to find out more about his first year at WPP, his vision for the future of the organisation, and how he deals with criticism.
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