Forests have long been narrated as spaces where only vegetation exists. Yet science and history reveal that they have always been cultural territories, inhabited and reshaped by multiple human and non-human groups over time. Notes on How to Build a Forest is a photographic project developed in Ecuador, in the territories of Mache Chindul and Yunguilla — landscapes marked by layered histories of settlement and relationships with the forest. Through documentary and experimental photography that includes infrared, thermal, and pinhole techniques, as well as community archives intervened with fungi, the photographer invites us ‘to imagine how other organisms perceive the forest, and how the forest, in turn, observes us’. In dialogue with scientific knowledge, the work constructs a polyphonic narrative that understands forests as plural, complex, and cultural spaces, expanding the ways in which conservation can be conceived.
Isadora Romero is an Ecuadorian photographer and visual artist. Her long-term projects focus on social and environmental justice in Latin America, using documentary and experimental photography to explore the relationship between territory, memory and ecology.
This 8-minute light-painting, made in collaboration with Ailin Blasco, was taken using ultraviolet light. It was inspired by conversations with scientists about speculative ways in which certain non-human species perceive their surroundings and human presence. In this humid tropical forest of Ecuador’s Chocó region, ultraviolet light reveals contrasts invisible to the human eye. Several species, including birds, are able to perceive this spectrum.