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Ground Clearance
Owen Harvey
Series description

In the mid-to-late 1940s a new subculture in America emerged, as Mexican-American youths started to place sandbags in their custom vehicles so the body of their car would ride close to the road. The lowriding scene became more technologically advanced as hydraulics replaced sandbags, and the vehicles and bikes were decorated to show political statements and images representing the Mexican-American culture from which it was born. By the start of the twenty-first century, lowriding culture had become extremely popular, and was often seen in music videos, as the scene was embraced by cultures around the world. I went to Los Angeles – the spiritual home of lowriding – to document the individuals who make the subculture what it is today.

Biography

Owen Harvey (b.1989) is a London based photographer with a BA (Hons) from the University of Wales, Newport. Harvey works on long term documentary projects and has had his work displayed at venues including, The National Portrait Gallery, Photographers' Gallery and Royal Albert Hall. Harvey works internationally for a range of commercial and editorial clients and has had his work showcased by i-D, BBC, Dazed & Confused and Vogue.

Lady Lowrider
A female lowrider sits in her car at the Hoopty cruise in downtown L.A.
Wicked
Wicked on her lowriding bike, in downtown L.A.
Stacks
Stacks stands in front of his ’63 Impala in the mountains above Azusa.
Erik
Erik standing on top of his lowrider outside the Rose Bowl in Pasadena.
Xavier
Xavier, a young lowrider, under the 6th bridge in downtown L.A.
Joe
Joe, a young lowrider, outside Pasadena City Hall.
South Central L.A.
South Central L.A.
Hazmat and Nini
Hazmat and Nini stand with their green ’64 Impala. Nini grew up with her father, who was a member of the notorious Mongols Motorcycle Club – an outlaw motorbike gang – so she has always been around vehicles and tells me how they are linked with her identity and way of life.