Terra Nullius, Latin for ‘nobody's land,’ was a colonial construct used to justify the seizure of territories deemed ‘unclaimed’ or ‘uncivilised.’ It served as a foundation for European expansion across the Americas, displacing Indigenous peoples and erasing their sovereignty. Beneath Canada’s progressive image lies a history of Indigenous exploitation, forced assimilation and uprooting, often obscured by romanticised pioneer myths and the allure of a multicultural society. Over the past decade, Giovanni Capriotti has worked alongside Indigenous communities in Canada, gathering archives, creating images and assembling collages. With guidance from local elders and those living with intergenerational trauma, this project disrupts dominant narratives by piecing together fragments of a silenced history. As an immigrant, the photographer’s aim is to confront colonial erasure, amplify Indigenous voices and advocate for self-determination – challenging the lens that dismisses these injustices as mere footnotes of progress.
Giovanni Capriotti specializes in long-form post-documentary explorations that examine how time and the inevitability of compromise shape individuals, communities, history, culture, and the human condition. Through photography, video, audio, prose, and personal testimonials, he deepens his understanding of global affairs and documentary practice. Giovanni holds an MFA in Documentary Media, teaches at the University of Guelph-Humber, and works as a photojournalist for multiple publications.