Restitution explores the journey of African masks between the Democratic Republic of the Congo (DRC) and Belgium, from their original use to their display in museums. By combining archives, contemporary scenes and performances, the series questions colonial legacies, institutional narratives, and the issues surrounding restitution. Between Kinshasa and Brussels, the images reveal the tensions between memory, power, and perception, and question what it means today to exhibit, move, or reactivate these objects steeped in history.
Based in Brussels, Colin Delfosse began his work in the Democratic Republic of Congo after training in journalism. His long-term projects have won several awards, and his work has been exhibited in Kinshasa, New York, Paris, Lagos and Arles, and at numerous photography festivals.
Junior Mungongu (aka 10 Bureaux), a performance artist from Kinshasa, wearing his mask costume on the streets of the Congolese capital.